Upcoming Events at Indialantic Beach - James H. Nance Park
Sat Jun 29, 5:00 PM - Sat Jun 29, 11:30 PM
Indialantic Beach - James H. Nance Park
201 N Miramar Ave, Indialantic, FL 32903
Community: Merritt Island
Description
Specials Guests: Flutie Brothers Band & New School Dropouts!
Event Details
Food Trucks, VIP Area, Live Music, Drinks
Kids 12 & Under Free
Deuterman Productions and Long Doggers Presents Beachside Bash feat. CITIZEN COPE “$1 from every ticket will be donated to Mimi Woods Foundation in the US that support enriching youths in need through arts and education. For more information visit www.citizencope.com”
Ask him how he knew it was time to record his first new studio album in seven years, and Clarence Greenwood, the trailblazing artist and producer better known as Citizen Cope, has a simple answer: “It was time.”
Cope has built an entire career on trusting his gut and following his muse, and if his new album, ‘Heroin & Helicopters,’ is any indication, his instincts are sharper now than ever before. As technically innovative as it is emotionally resonant, the record arrives at a uniquely challenging moment in modern American culture, when profound political polarization and social divisions seem to grow deeper by the day. Rather than dwell on our differences, though, Cope tunes in to what unites us here, drawing on everything from Chuck Brown and The Beatles to Randy Newman and Bill Withers, aiming his unique brand of urban‐folk inwards to reflect on the personal journeys we all undertake to embrace ourselves despite our flaws.
“I think we’re all on a mission to find some inner peace,” he reflects. “We’re all going towards this collective consciousness, and even though it’s dark right now, I believe we’re going to reach that place together. Peace and harmony and understanding, that’s how you combat the darkness, and that’s what this record is all about.”
The success of Cope’s music has always been a slow burn, rather than a flash in the pan. His single “Let The Drummer Kick” eventually went Platinum without any support from commercial radio. The Washington Post has hailed him as “DC’s finest export since Marvin Gaye,” while Rolling Stone raved that his “uncommon chords and harmonies combine delicate dissonance with unexpected flashes of beauty.” In 2004, Cope followed up his self‐titled debut with ‘The Clarence Greenwood Recordings,’ an album Vibe praised as “flawless throughout,” gushing that Cope “makes music that feeds your soul...this is one of those CDs you hear at
Kids 12 & Under Free
Deuterman Productions and Long Doggers Presents Beachside Bash feat. CITIZEN COPE “$1 from every ticket will be donated to Mimi Woods Foundation in the US that support enriching youths in need through arts and education. For more information visit www.citizencope.com”
Ask him how he knew it was time to record his first new studio album in seven years, and Clarence Greenwood, the trailblazing artist and producer better known as Citizen Cope, has a simple answer: “It was time.”
Cope has built an entire career on trusting his gut and following his muse, and if his new album, ‘Heroin & Helicopters,’ is any indication, his instincts are sharper now than ever before. As technically innovative as it is emotionally resonant, the record arrives at a uniquely challenging moment in modern American culture, when profound political polarization and social divisions seem to grow deeper by the day. Rather than dwell on our differences, though, Cope tunes in to what unites us here, drawing on everything from Chuck Brown and The Beatles to Randy Newman and Bill Withers, aiming his unique brand of urban‐folk inwards to reflect on the personal journeys we all undertake to embrace ourselves despite our flaws.
“I think we’re all on a mission to find some inner peace,” he reflects. “We’re all going towards this collective consciousness, and even though it’s dark right now, I believe we’re going to reach that place together. Peace and harmony and understanding, that’s how you combat the darkness, and that’s what this record is all about.”
The success of Cope’s music has always been a slow burn, rather than a flash in the pan. His single “Let The Drummer Kick” eventually went Platinum without any support from commercial radio. The Washington Post has hailed him as “DC’s finest export since Marvin Gaye,” while Rolling Stone raved that his “uncommon chords and harmonies combine delicate dissonance with unexpected flashes of beauty.” In 2004, Cope followed up his self‐titled debut with ‘The Clarence Greenwood Recordings,’ an album Vibe praised as “flawless throughout,” gushing that Cope “makes music that feeds your soul...this is one of those CDs you hear at
